NOAA's Response and Restoration Blog

An inside look at the science of cleaning up and fixing the mess of marine pollution


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With Lobster Poacher Caught, NOAA Fishes out Illegal Traps from Florida Keys National Marine Sanctuary

This is a post by Katie Wagner of the Office of Response and Restoration’s Assessment and Restoration Division.

On June 26, 2014, metal sheets, cinder blocks, and pieces of lumber began rising to the ocean’s surface in the Florida Keys National Marine Sanctuary. This unusual activity marked the beginning of a project to remove materials used as illegal lobster fishing devices called “casitas” from sanctuary waters. Over the course of two months, the NOAA-led restoration team plans to visit 297 locations to recover and destroy an estimated 300 casitas.

NOAA’s Restoration Center is leading the project with the help of two contractors, Tetra Tech and Adventure Environmental, Inc. The removal effort is part of a criminal case against a commercial diver who for years used casitas to poach spiny lobsters from sanctuary waters. An organized industry, the illegal use of casitas to catch lobsters in the Florida Keys not only impacts the commercial lobster fishery but also injures seafloor habitat and marine life.

Casitas—Spanish for “little houses”—do not resemble traditional spiny lobster traps made of wooden slats and frames. “Casitas look like six-inch-high coffee tables and can be made of various materials,” explains NOAA marine habitat restoration specialist Sean Meehan, who is overseeing the removal effort.

The legs of the casitas can be made of treated lumber, parking blocks, or cinder blocks. Their roofs often are made of corrugated tin, plastic, quarter-inch steel, cement, dumpster walls, or other panel-like structures.

Poachers place casitas on the seafloor to attract spiny lobsters to a known location, where divers can return to quite the illegal catch.

A spiny lobster in a casita on the seafloor.

A spiny lobster in a casita. (NOAA)

“Casitas speak to the ecology and behavior of these lobsters,” says Meehan. “Lobsters feed at night and look for places to hide during the day. They are gregarious and like to assemble in groups under these structures.” When the lobsters are grouped under these casitas, divers can poach as many as 1,500 in one day, exceeding the daily catch limit of 250.

In addition to providing an unfair advantage to the few criminal divers using this method, the illegal use of casitas can harm the seafloor environment. A Natural Resource Damage Assessment, led by NOAA’s Restoration Center in 2008, concluded that the casitas injured seagrass and hard bottom areas, where marine life such as corals and sponges made their home. The structures can smother corals, sea fans, sponges, and seagrass, as well as the habitat that supports spiny lobster, fish, and other bottom-dwelling creatures.

Casitas are also considered marine debris and potentially can harm other habitats and organisms. When left on the ocean bottom, casitas can cause damage to a wider area when strong currents and storms move them across the seafloor, scraping across seagrass and smothering marine life.

“We know these casitas, as they are currently being built, move during storm events and also can be moved by divers to new areas,” says Meehan. However, simply removing the casitas will allow the seafloor to recover and support the many marine species in the sanctuary.

There are an estimated 1,500 casitas in Florida Keys National Marine Sanctuary waters, only a portion of which will be removed in the current effort. In this case, a judge ordered the convicted diver to sell two of his residences to cover the cost of removing hundreds of casitas from the sanctuary.

To identify the locations of the casitas, NOAA’s Hydrographic Systems and Technology Program partnered with the Restoration Center and the Florida Keys National Marine Sanctuary. In a coordinated effort, the NOAA team used Autonomous Underwater Vehicles (underwater robots) to conduct side scan sonar surveys, creating a picture of the sanctuary’s seafloor. The team also had help finding casitas from a GPS device confiscated from the convicted fisherman who placed them in the sanctuary.

After the casitas have been located, divers remove them by fastening each part of a casita’s structure to a rope and pulley mechanism or an inflatable lift bag used to float the materials to the surface. Surface crews then haul them out of the water and transport them to shore where they can be recycled or disposed.

For more information about the program behind this restoration effort, visit NOAA’s Damage Assessment, Remediation, and Restoration Program.

Katie Wagner.Katie Wagner is a communications specialist in the Assessment and Restoration Division of NOAA’s Office of Response and Restoration. Her work raises the visibility of NOAA’s effort to protect and restore coastal and marine resources following oil spills, releases of hazardous substances, and vessel groundings.


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Latest Research Finds Serious Heart Troubles When Oil and Young Tuna Mix

This story was first published on March 26, 2014. It was updated April 9, 2015 to reflect additional research.

Atlantic bluefin tuna prepares to eat a smaller fish.

Atlantic bluefin tuna are a very ecologically and economically valuable species. However, populations in the Gulf of Mexico are at historically low levels. (Copyright: Gilbert Van Ryckevorsel/TAG A Giant)

In May of 2010, when the Deepwater Horizon rig was drilling for oil in the open waters of the Gulf of Mexico, schools of tuna and other large fish would have been moving into the northern Gulf. This is where, each spring and summer, they lay delicate, transparent eggs that float and hatch near the ocean surface. After the oil well suffered a catastrophic blowout and released 3.19 million barrels of oil into the Gulf, these fish eggs may have been exposed to the huge slicks of oil floating up through the same warm waters.

An international team of researchers from NOAA, Stanford University, the University of Miami, and Australia recently published a study in the journal Proceedings of the National Academy of Sciences exploring what happens when tuna mix with oil early in life.

“What we’re interested in is how the Deepwater Horizon accident in the Gulf of Mexico would have impacted open-ocean fishes that spawn in this region, such as tunas, marlins, and swordfishes,” said Stanford University scientist Barbara Block.

This study is part of ongoing research to determine how the waters, lands, and life of the Gulf of Mexico were harmed by the Deepwater Horizon oil spill and response. It also builds on decades of research examining the impacts of crude oil on fish, which began after the 1989 Exxon Valdez oil spill in Alaska. Based on those studies, NOAA and the rest of the research team knew that crude oil—including oil from the Deepwater Horizon oil spill (Incardona et al. 2013)—was toxic to young fish and taught them to look carefully at their developing hearts.

“One of the most important findings was the discovery that the developing fish heart is very sensitive to certain chemicals derived from crude oil,” said Nat Scholz of NOAA’s Northwest Fisheries Science Center.

This is why in this latest study they examined oil’s impacts on young bluefin tuna, yellowfin tuna, and amberjack, all large fish that hunt at the top of the food chain and reproduce in the warm waters of the open ocean. The researchers exposed fertilized fish eggs to small droplets of crude oil collected from the surface and the wellhead from the Deepwater Horizon spill, using concentrations comparable to those during the spill. Next, they put the transparent eggs and young fish under the microscope to observe the oil’s impacts at different stages of development. Using a technology similar to doing ultrasounds on humans, the researchers were able create a digital record of the fishes’ beating hearts.

All three species of fish showed dramatic effects from the oil, regardless of how weathered (broken down) it was. Severely malformed and malfunctioning hearts was the most severe impact. Depending on the oil concentration, the developing fish had slow and irregular heartbeats and excess fluid around the heart. Other serious effects, including spine, eye, and jaw deformities, were a result of this heart failure. (Incardona et al. 2014 [PDF])

Top: A normal young yellowfin tuna. Bottom: A deformed yellowfin tuna exposed to oil during development.

A normal yellowfin tuna larva not long after hatching (top), and a larva exposed to Deepwater Horizon crude oil as it developed in the egg (bottom). The oil-exposed larva shows a suite of abnormalities including excess fluid building up around the heart due to heart failure and poor growth of fins and eyes. (NOAA)

“Crude oil shuts down key cellular processes in fish heart cells that regulate beat-to-beat function,” noted Block, referencing another study by this team, (Brette et al. 2014).

As the oil concentration, particularly the levels of polycyclic aromatic hydrocarbons (PAHs), went up, so did the severity of the effects on the fish. Severely affected fish with heart defects are unlikely to survive. Others looked normal on the outside but had underlying issues like irregular heartbeats. This could mean that while some fish survived directly swimming through oil, heart conditions could follow them through life, impairing their (very important) swimming ability and perhaps leading to an earlier-than-natural death.

“The heart is one of the first organs to appear, and it starts beating before it’s completely built,” said NOAA Fisheries biologist John Incardona. “Anything that alters heart rhythm during embryonic development will likely impact the final shape of the heart and the ability of the adult fish to survive in the wild.”

Even at low levels, oil can have severe effects on young fish, not only in the short-term but throughout the course of their lives. This is why the research team, composed of scientists from NOAA, Stanford University, and the University of Miami, is studying fish exposed to low levels of crude oil as embryos that subsequently grow into juveniles and adults in clean water. Initial research has shown that subtle disruptions of the embryonic heartbeat can produce permanent changes in heart shape that negatively affect swimming performance and other behaviors critical for fish survival. The team has shown similar underlying effects on juvenile mahi mahi (Mager et al. 2014), and studies are ongoing using zebrafish.

These subtle but serious impacts are a lesson still obvious in the recovery of marine animals and habitats still happening 25 years after the Exxon Valdez oil spill.

Find the most up-to-date summary of NOAA-funded research on crude oil’s potential effects on fish in the Gulf Mexico.


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Detecting Change in a Changing World: 25 Years After the Exxon Valdez Oil Spill

Life between high and low tide along the Alaskan coast is literally rough and tumble.

The marine animals and plants living there have to deal with both crashing sea waves at high tide and the drying heat of the sun at low tide. Such a life can be up and down, boom and bust, as favorable conditions come and go quickly and marine animals and plants are forced to react and repopulate just as quickly.

But what happens when oil from the tanker Exxon Valdez enters this dynamic picture—and 25 years later, still hasn’t completely left? What happens when bigger changes to the ocean and global climate begin arriving in these waters already in flux?

Telling the Difference

Two people wearing chest waders sift for marine life in shallow rocky waters.

In 2011 NOAA marine biologist Gary Shigenaka (right) sifts through the sediments of Alaska’s Lower Herring Bay, looking for the tiny marine life that live there. (Photo by Gerry Sanger/Sound Ecosystem Adventures)

In the 25 years since the Exxon Valdez oil spill hit Alaska’s Prince William Sound, NOAA scientists, including marine biologist Gary Shigenaka and ecologist Alan Mearns, have been studying the impacts of the spill and cleanup measures on these animals and plants in rocky tidal waters.

Their experiments and monitoring over the long term revealed a high degree of natural variability in these communities that was unrelated to the oil spill. They saw large changes in, for example, numbers of mussels, seaweeds, and barnacles from year to year even in areas known to be unaffected by the oil spill.

This translated into a major challenge. How do scientists tell the difference between shifts in marine communities due to natural variability and those changes caused by the oil spill?

Several key themes emerged from NOAA’s long-term monitoring and subsequent experimental research:

  • impact. How do we measure it?
  • recovery. How do we define it?
  • variability. How do we account for it?
  • subtle connection to large-scale oceanic influences. How do we recognize it?

What NOAA has learned from these themes informs our understanding of oil spill response and cleanup, as well as of ecosystems on a larger scale. None of this, however, would have been apparent without the long-term monitoring effort. This is an important lesson learned from the Exxon Valdez experience: that monitoring and research, often viewed as an unnecessary luxury in the context of a large oil spill response, are useful, even essential, for framing the scientific and practical lessons learned.

Remote Possibilities

As NOAA looks ahead to the future—and with the Gulf of Mexico’s Deepwater Horizon oil spill in our recent past—we can incorporate and apply lessons of the Exxon Valdez long-term program into how we will support response decisions and define impact and recovery.

The Arctic is a region of intense interest and scrutiny. Climate change is opening previously inaccessible waters and dramatically shifting what scientists previously considered “normal” environmental conditions. This is allowing new oil production and increased maritime traffic through Arctic waters, increasing the risk of oil spills in remote and changing environments.

If and when something bad happens in the Arctic, how do scientists determine the impact and what recovery means, if our reference point is a rapidly moving target? What is our model habitat for restoring one area impacted by oil when the “unimpacted” reference areas are undergoing their own major changes?

Illustrated infographic showing timeline of ecological recovery after the Exxon Valdez oil spill.

Tracking the progress of recovery for marine life and habitats following the Exxon Valdez oil spill is no easy task. Even today, not all of the species have recovered or we don’t have enough information to know. (NOAA) Click to enlarge.

Listening in

NOAA marine biologist Gary Shigenaka explores these questions as he reflects on the 25 years since the Exxon Valdez oil spill in the following Making Waves podcast from the National Ocean Service:

[NARRATOR] This all points back at what Gary says is the main take-away lesson after 25 years of studying the aftermath of this spill: the natural environment in Alaska and in the Arctic are rapidly changing. If we don’t understand that background change, then it’s really hard to say if an area has recovered or not after a big oil spill.

[GARY SHIGENAKA] “I think we need to really keep in mind that maybe our prior notions of recovery as returning to some pre-spill or absolute control condition may be outmoded. We need to really overlay that with the dynamic changes that are occurring for whatever reason and adjust our assessments and definitions accordingly. I don’t have the answers for the best way to do that. We’ve gotten some ideas from the work that we’ve done, but I think that as those changes begin to accelerate and become much more marked, then it’s going to be harder to do.”

 

Read a report by Gary Shigenaka summarizing information about the Exxon Valdez oil spill and response along with NOAA’s role and research on its recovery over the past 25 years.


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Investigating Environmental Impacts: Oil on the Kalamazoo River

Posted sign closing river activity due to oil spill response.

The Kalamazoo River has been closed to the public since the spill in 2010. We’re examining how this has affected public recreation and tribal cultural uses. (Terry Heatlie, NOAA)

In late summer of 2010, while the nation was fixated on the massive oil spill in the Gulf of Mexico, an underground pipeline in Michigan also began gushing oil. My job has been to help investigate the environmental damage that spill caused when the oil flowed into the Kalamazoo River.

The Situation
More than 800,000 gallons of crude oil** poured out of the leaking pipeline before it was eventually shut off. It oozed through the soft, wet ground just outside of Marshall, Mich., before washing into the Kalamazoo River, one of the largest rivers in southern Michigan.

I was at a meeting in Milwaukee with my suitcase full of sandals and skirts — not exactly dressed for an oil spill — when I got called to the scene. I drove nearly nonstop to Marshall, with only a quick detour in Indiana to buy steel-toed boots and work pants.

The Challenges
When I arrived, the other scientists and I made plans to collect data on the oil’s damage. Heavy rains had caused the river to flood over its banks, and as the oil flowed approximately forty miles* down the Kalamazoo, it was also carried up onto the banks and into trees. As the flood waters receded, oil was left on overhanging branches and in floodplains.

As the flood water receded, oil was left behind on river vegetation and overhanging tree branches, as well as in yards and forested floodplains. Yellow containment boom is in the foreground. (Gene Suuppi, State of Michigan)

The river’s floodplains, full of forests and wetlands, are also home to sensitive seasonal ponds, which provide valuable habitat for fish and macroinvertebrates (aquatic “bugs” at the base of the food chain). Therefore, we needed to find out: how far did the oil make it into the floodplain, what did it contact while there, and how much oil was left?

The smell of oil was sickeningly strong at first. Residents evacuated the houses nearest to the leak, and workers within half a mile of the pipeline break had to wear respirators to protect them from inhaling fumes. Even a dozen miles downstream, I could smell the oil and feel the fumes irritating my eyes. These fumes were the light components of the oil evaporating into the air. The heavy components of the oil were left behind on the banks or gradually sank to the bottom of the river.

The sunken oil has proven difficult to clean up. This winter, spill responders have been working to quantify how much sunken oil is left and to develop and test techniques for cleaning it up.

The Science
Along with my team from NOAA’s Office of Response and Restoration, the U. S. Fish and Wildlife Service, the State of Michigan, and the Huron Band and Gun Lake Tribe of the Potawatomi joined together as trustees to assess damages that the spill caused to natural resources.

We’ve conducted a variety of studies to collect information on the impacts of the spill and repeated some of the studies to see how the environment is recovering. Now we’re gathering all this data for the official damage assessment. We’ve examined samples of fish, mussels, water, and sediments for evidence of oil-related chemicals. We’ve collected observations of oiled vegetation and records of the number and condition of animals brought to the wildlife rehab center.

Talmadge Creek cleanup crews on Aug 6, 2010.

Cleanup crews place absorbent pads to sop up oil at Talmadge Creek, near the source of the spill, on Aug 6, 2010. We also take into account the effect cleanup has on the environment. (Chuck Getter)

Unfortunately, cleanup-related activities have an environmental impact too. For example, extra boat traffic on the river during cleanup led to some riverbank erosion and crushed freshwater mussels. Our studies include these factors too. We’ll also look into the effect the spill had on public recreation (the river has been closed to the public since the spill) and on tribal cultural uses.

What Next?
We and the other trustees will seek out restoration projects that address the impacts caused by the spill, being careful to balance the projects with the results of our studies. We’ll take project ideas from the public and from watershed organizations to make sure that we choose projects that fit in well with other restoration work being done across the broader Kalamazoo River watershed.

Enbridge Energy, as the owner of the pipeline, will have the option to implement the projects themselves with oversight from us trustees, or could pay for the cost of these projects as part of a larger legal settlement.

Stay tuned and we’ll keep you updated as this story unfolds.

*Correction: This originally stated that the oil flowed thirty miles down the Kalamazoo River.

**This was later discovered to be an oil sands (or tar sands) product.


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Art Can Transform Plastic Pollution into Ocean Conservation

This is a guest post by artist-activist Pam Longobardi and naturalist-photographer Wayne Sentman, originally posted on NOAA’s Marine Debris Blog.

Pam Longobardi’s art installation made from marine debris.

Pam Longobardi’s art piece “Consumption Driftweb,” made from marine debris, in OCEANOMANIA at Nouveau Musée National de Monaco, 2011. Credit: Pam Longobardi.

Art can be premonitory; it can be seen as a red flag or a warning as sensitive artists notice and respond to change and impactful events. More and more artists around the world are responding to the degradation of our ocean systems by human-made plastic pollution. Art created from this material is increasingly being used as a mechanism of environmental education, helping to create an emotional connection to the problem among the viewing public, utilizing marine debris as a material to create awareness among multiple communities.

Creative artists now play a role in both interpreting this environmental challenge to the public and helping to inspire creative solutions to what at times seems like an unsolvable problem. Public art installations can help create a new public consciousness that promotes pro-environmental attitudes and behaviors.

Dead albatross with stomach full of plastic litter.

Laysan albatross carcass with ingested plastic debris. Credit: C. Fackler, NOAA Office of National Marine Sanctuaries.

On Midway Atoll, a remote National Wildlife Refuge in the North Pacific, Wayne has witnessed the effects of plastic marine pollution firsthand for many years. Albatross chicks’ decaying carcasses have filled viewers with a sense of “culpable ignorance.” Seeing these decayed bodies laden with plastic where their stomachs would be reminds us that we are connected to the natural world. That plastic toothbrush that we threw out, those bottle caps that we walk past on the street, and the multitude of plastic that we have not recycled ends up where we least expect it.

Over the years artists have been the messengers of the “un-natural” history of this problem so easily viewed in the field at Midway Atoll. The albatross at Midway are a harbinger of the amount of plastic in the ocean since they happen to feed along one of the largest concentrations of marine debris in the North Pacific. U.S. Fish and Wildlife Service researchers have estimated that each year at least 5 tons of plastic marine debris is brought to (landfilled at) Midway Atoll by albatross regurgitating to their young. Recent studies indicate that marine plastic pollution is also ending up in fish from these same areas and is now integrated into the marine food chain.

Additionally, artists are starting to work collaboratively with scientists and activists to create a synergistic, multi-disciplinary approach to raising public awareness and defining positive actions that can be undertaken to address the issue. The United Nations Environmental Program and NOAA co-sponsored the 5th International Marine Debris Conference in Honolulu, Hawaii, and the conference was a model of this type of relationship.

The unique thing about this conference was the enormous presence of art at what was basically a scientific conference. UNEP and NOAA invited us to put together the art program, and we were able to raise enough funds to hold a professional fine art exhibition within the conference. Pam also put together a digital stream of nearly 40 other artists from around the world working with this issue. The overwhelming response by artists all over the world to her call for artwork was in itself a wonderful and heartening experience.

The conference brought together the plastics industry, scientists, artists, and activists like Surfrider Foundation and Plastics Pollution Coalition—people from all over the world (440 people from 36 countries). Many of these stakeholders are on opposite sides of the issue, but the conference managed to provide a forum that brought everyone to the table. What resulted was the Honolulu Commitment, which we see as the “Kyoto Protocol of plastic.” The artist/activist contingent worked very hard to get specific language about micro-plastics, endocrine disruptors, and heavy metal contamination into the document that all parties agreed to. It felt momentous.

Pam is also working on a project with the Alaska SeaLife Center [leaves this blog] and the Anchorage Museum to send an expedition of artists and scientists to the remote stretch of the Aleutian Islands off Alaska that form the northern rim of the North Pacific Gyre. We had our first planning meeting of all the partners in June and filmed a promotional video that involved a beach landing in Resurrection Bay, with Carl Safina and Pam surveying what was found there. This project is very large scale and still over a year away from being initiated, but Pam and Howard Ferren, Director of Conservation at the Alaska SeaLife Center, have already been working on it for over a year, and it continues to evolve and take shape.

Few people are able to visit remote places such as Midway Atoll or the Aleutian Islands. Art can serve as the bridge to these wildlife populations and the environmental issues that could only otherwise be appreciated through firsthand field experience. When professional artists from around the globe begin to explore the topic of marine debris, the public is made aware that this problem is not simply limited to a remote island group but is global in scale and therefore we all are connected to, and part of, the problem. Once a viewer appreciates this connection, discovered through viewing art, they may become engaged with the marine environment and more invested in finding solutions to reducing marine pollution sources.

Art is a powerful way to increase public participation and awareness of the problems of marine debris by showcasing it in an educational yet judgment-neutral manner across a diverse stakeholder base. When students and community members view and interact with items of collected marine debris in large-scale works of art, the intimacy with the items will facilitate an understanding of individual connectedness to this problem. Art can showcase the problem, helping individuals to become motivated to contribute to solutions without assigning blame to other segments of the community.

–Pam Longobardi and Wayne Sentman

About the guest bloggers:

Pam Longobardi.

Pam Longobardi.

“The first time I came face to face with enormous piles of plastic debris on South Point of the Big Island in 2006, I was amazed at the beautiful colors against the black lava beach, because that’s what plastic does, it charms and seduces us. Then I got closer and I could see what it all was, it was all our JUNK, and it just hit me like a thunderbolt. There was even a toilet seat among the piles, and it was such a sick sad metaphor for how we treat the earth. It changed me right then and there, and I began gathering it up and cleaning beaches, to drag it back and show it, to put it in front of people so we can see what the material legacy of the human race has become. This was the start of the Drifters Project.

Wayne Sentman.

Wayne Sentman.

As an artist, I have always dealt with trying to understand the psychological relationship between humans and nature. We are in a kind of dualistic isolation from it, at once an integral part of it and yet somehow outside of it. I am interested in the idea of the positioning of the ego in an attempt to locate the self amidst the incomprehensibility of the external natural world at large. Culture functions as a way to try to navigate or map this territory.”  –Pam Longobardi

After many years working in remote field locations around the globe, where I witnessed the impacts on wildlife related to marine pollution, I have become very interested in the value of art as a way to interpret “hidden” environmental issues to the public. Art has the power to facilitate an understanding of an individual’s connectedness to this problem. –Wayne Sentman

The NOAA Marine Debris Program, one of three divisions within the Office of Response and Restoration, serves as a centralized program within NOAA, coordinating, strengthening, and promoting marine debris activities within the agency and among its partners and the public.